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Roundtable Salon: Femme Figurations in Contemporary Art

Roundtable Salon: Femme Figurations in Contemporary Art Featuring curator Christiana Ine-Kimba Boyle and artists Pamela Council, Yvette Mayorga, and Kenya (Robinson) Moderated by Dr. Jillian Hernandez, Assistant Professor in the Center for Gender, Sexualities, and Women’s Studies Research This program is a part of the speaker series Radical Femininity: Women of Color Imaginaries, New Political

Black Preference & Indifference in Sites of Erasure

Featuring: Dr. Mandisa Haarhoff This talk is a critical reflection on how black people engage sites of erasure (particularly spaces that hold sacred meanings to settler-colonial histories) and do so without knowledge, concern, or reverence for these histories. How does this interaction with these sites potentially undermine, disrupt, or throw into sharp relief ongoing forms of

Femme-inist is to Feminist as PYNK is to Pink

What is a black femme-inist? This talk offers preliminary thoughts on black femme-inism’s gender-specific, race-specific, and desire-specific contributions to the ongoing project of getting free. Meditating on what makes "black femme" a very smart, very black, and very queer gender, Dr. Tinsley outlines why black femme perspectives prove important to dismantling white supremacist heteropatriarchy. Omise’eke

Sermon I Wish I’d Heard — Play & Workshop

Growing up Blxck, Queer, Non-binary, and Bible Belted in the Midwest, the Sermon I wish I'd Heard bears witness to Hicks' journey towards self-love through spoken word, song, and movement--three friends that fed the indomitable spirit childhood required. Such is a blossom, which Hick says, ultimately saves their life; and perhaps, lives now as a call home

Summer 2021 Humanities Fellowship & Grant Proposal Review Proposal Deadline

– Proposals due 25 June 2021. – Feedback returned 12 July 2021. Faculty members and graduate students in the humanities are invited to submit complete, polished draft proposals (minus reference letters) for single-blind review by an interdisciplinary panel of three UF referees with experience serving on grant review panels at the national level. The entire